In "Lossless No. 1," Baron and Goodwin attempt to visualize the difference between film and digital video by isolating a particularly powerful sequence of 48 frames from "The Wizard of Oz," scanned from a 35mm film print, but also extracted from a DVD release of the film. The artists then digitally subtracted the DVD frames from the scanned film frames, leaving an image that reveals the difference between the analog and digital formats. The result is 31 seconds of Dorothy's ruby slippers clicking together, over and over, the shoes, her legs, and her dress a shimmering beacon, an immortal moment of intense wishing.
Movie / 2012
Movie / 2008
Movie / 2007
Movie / 1992
Movie / 2008
Movie / 1990
Movie / 1969
Movie / 1979
Movie / 2003
Movie / 1984
Movie / NaN
Movie / 2014
Movie / 2013
Movie / 1987
Movie / 2020
Movie / 1990
Movie / 1961
Movie / 2009
Movie / 2005
Movie / 1937
In "Lossless No. 1," Baron and Goodwin attempt to visualize the difference between film and digital video by isolating a particularly powerful sequence of 48 frames from "The Wizard of Oz," scanned from a 35mm film print, but also extracted from a DVD release of the film. The artists then digitally subtracted the DVD frames from the scanned film frames, leaving an image that reveals the difference between the analog and digital formats. The result is 31 seconds of Dorothy's ruby slippers clicking together, over and over, the shoes, her legs, and her dress a shimmering beacon, an immortal moment of intense wishing.
Movie / 2012
Movie / 2008
Movie / 2007
Movie / 1992
Movie / 2008
Movie / 1990
Movie / 1969
Movie / 1979
Movie / 2003
Movie / 1984
Movie / NaN
Movie / 2014
Movie / 2013
Movie / 1987
Movie / 2020
Movie / 1990
Movie / 1961
Movie / 2009
Movie / 2005
Movie / 1937