"FOREGROUNDS, like SAUGUS SERIES, is devoted almost entirely to carefully constructed spatial ambiguities. The most visceral of these prints a rotating boulder, occupying half of the screen, over a slow lateral pan across the desert (painted by Neon Park). A faint superimposition of leaves on top of the landscape has the effect of pushing its vista farther back in space. Correspondingly, the boulder bulges out of the picture-plane like a Cezanne apple. The effect is so strong that even when O'Neill begins to animate 'scratches' over the image, one's eye refuses to surrender the illusion of volume." - J. Hoberman, The Village Voice
Movie / 1965
Movie / 1944
Movie / 1968
Movie / 1993
Movie / 2007
Movie / 1993
Movie / 1994
Movie / 2025
Movie / 1977
Movie / 1990
Movie / 1992
Movie / 1938
Movie / 1969
Movie / 2020
Movie / 2004
Movie / 2025
Movie / 1997
Movie / 1960
Movie / 1953
Movie / 1996
"FOREGROUNDS, like SAUGUS SERIES, is devoted almost entirely to carefully constructed spatial ambiguities. The most visceral of these prints a rotating boulder, occupying half of the screen, over a slow lateral pan across the desert (painted by Neon Park). A faint superimposition of leaves on top of the landscape has the effect of pushing its vista farther back in space. Correspondingly, the boulder bulges out of the picture-plane like a Cezanne apple. The effect is so strong that even when O'Neill begins to animate 'scratches' over the image, one's eye refuses to surrender the illusion of volume." - J. Hoberman, The Village Voice
Movie / 1965
Movie / 1944
Movie / 1968
Movie / 1993
Movie / 2007
Movie / 1993
Movie / 1994
Movie / 2025
Movie / 1977
Movie / 1990
Movie / 1992
Movie / 1938
Movie / 1969
Movie / 2020
Movie / 2004
Movie / 2025
Movie / 1997
Movie / 1960
Movie / 1953
Movie / 1996